Having recently completed the first half of the watch piece, I set about creating its ‘surround’ which I thought was going to consist of the strap. I’ve always thought this was a bit too literal so I tried to adapt slightly. However making it in paper it didn’t fit the proportions of the watch and looked odd and it didn’t feel like it fitted the story. Referring back to the story, the place where the participant keeps it is in her dressing table drawer, where she keeps all the odd objects you only need at certain times, so I went back to it’s house and where it should sit. I came up with the idea that it should be sat in a drawer made of hard wood. A part of the story discussed how her father was always good with numbers and converted plans from cm to inches when moving house to make sure all his furtniture would fit. I therefore want to measure and convert, leaving the measurements present so these can be seen as an homage to his skill with numbers. The silicone also signifies his support for water aid making it look like a big bubble of water in the surface of the drawer.
Having decided to change the design, reality then hit as to how I was actually going to make the piece as I would need to source hard wood and work out how to make a drawer. This was because I felt I needed to make it as part of teh process.
On a trip over the road on friday to visit the blacksmiths I found Richard and John working away on some railings. I had taken bits over to show them and just to have a general chat. I mentioned I needed to make a hard wood drawer to which Richard mentioned he had a dove tail cutting jig. We mused about this for a bit and then he mentioned someone had left two hardwood drawers outside the workshop the day before. He told me to go and have a look. There were two long drawers, but the wood was exactly what I’d envisaged. I took one down to the shop and started thinking about it. I suddenly felt this was teh right thing to make the drawer from. Re-measure and cut it to fit what I needed. And working alongside craftsmen is what my project is all about. AND a found object that needed a home. Richard hadn’t wanted to burn them as they were good wood, but this is why people leave wood for him. It felt complete. the only thing that was missing was the handle.
John who is a whizz on the forge and anvil has recently been teaching me basics of ironmongery. He mentioned we could make a handle and he could teach me to forge it. Everything seemed to just fit into place. The story combining more elements of the participants memory and my relationship with craftspeople and new techniques further developing.
My dad’s workshop has always been a plae where you could find just about anything! Tools, oils, paint strupper, alsorts! When I needed to work with brass again, my dad was the person to help. It was a freezing cold day, so we stayed in the garage and worked out what we needed. We needed a tool….a tool that could bend metal, a tool that was very specific, but also lost…”I’m sure I’ve seen it”. We spent a good hour or so looking for the tool and we couldn’t find it. Looking through alsorts of boxes and bags. Coming across things such as parts for old printers or chrome door handles, each with a story to tell. I enjoy my dad telling stories and I always try and remember them. We came across a hammer with resin ends, both of which had corroded. I said, “throw it away, it’s useless”, to which the reply, “I can’t it was my dads” came. It was interesting to see that even though he comes across items less than once a year, he can’t part with a broken hammer because of it’s memories.
We eventually found the tool. Dad was keen to demonstrate it’s multifunctionality and we managed to bend the metal so it could be bonded. I didn’t get as much making done that afternoon as I’d hoped, btu sometimes it’s as much about the interaction with people as much as the doing.
The Brass rings complete it was back into the studio to complete the joining process of the silicone to the rings. This was for both the Brass Shoes piece and the Watch piece.
I had to mix a minimal amount of silicone, which was handy as I haven’t actually got much left! It felt homely to be working with the silicone again and the calm. The brass frames had to be set horizontally so as to make sure the silicone levelled out to allow the domed piece of silicone to sit on top of it and make a good seal. One of the problems I encountered was the brass shoe ring was slightly wider than the domed piece of plane silicone and so I needed to add a couple of mm more to one piece. The silicone is very forgiving and when layered the seam is very hard to identify and so this was not a problem. It meant that the first day of sealing in the shoes I could do one side (as below) and then the following day when this had set I could pour into the other side of the frame to create the orb shape. There were a couple of air bubbles that appeared in the seal, however this is where the silicone has settled and so they felt like breathing spaces rather than being problematic.
The watch piece used the same principle, where the silicone had to be poured into the gap in the brass frame and allowed to settle. Then the already cast watch dome piece was positioned on top. It fit so well and instantly looked right. It was a satisfying process to finish the brass shoe piece and think of showing the story teller!
I am really lucky that where I work I’m surrounded by people who know how to use so much different equipment and have used it for long enought, that they knwo exactly what they are doing! I had a sudden thought the other night that the UV printer we have at work could maybe just create enough height in its printed text that I could wrap this round a tube and cast into it.
I am still in a bit of shock that one of the things that I thought would be the hardest thing to complete is done and done so well and was a really exciting and moving experience and fitted in with the way my work is formed better than I expected and could have ever imagined.
As I wrote in the last post, I discovered this craftsman through a friend in the village. It was by chance he had a piece of brass the right size as I needed to make the rings from and he brought it to show me the following week. We were then in the workshop two days later.
The rings took a good few hours to make and I was able to witness a lot of the process. It was interesting to know how this all worked as I never realised with metal turning that you had to sometimes make tools for the job too.
The craftsman did both pieces simultaneously, one inside the other and knew from experience how to do each step. There was a couple of times I nearly stepped in and said something but I was always mistaken and he knew exactly what to do. When the rings were turned he questioned his own workmanship, saying how things could have been done differently and asking if it ‘would do’. I on the other hand saw an amazing piece of engineering that was exactly what I wanted. They were not perfect, but that was the thing that I wanted. They had marks that showed the toil and labor that had gone into each piece. As Korn suggests craftsmen are never happy with what they create, but to another what they have done is exactly what they imagined and more.
After the larger ring was finished we discussed how we could drill it so we could hang the piece. We tried thinking of a couple of ways, but then I put my trust in him as our ways of thinking although similar in some respects, allowed a different solution to be thought of and I felt I could let it go somewhat as we were creating this part together. He drilled a small hole in a brass nut and then drilled into the ring (freehand which I would be too scared to do). We tapped out the hole to create the exact screw thread and then screwed in the nut with some special “Lock-Tite” to secure it. It gave the ring a less polished look than I imagined it would be, but it also made me feel that we were part of the same production and he is engrained in the object story as much as the teller.
The smaller ring, whilst it was still under construction I suddenly thought about how I would secure the leather on the underside because of a small cut he had made into the brass. We worked out that we could leave this lip and so it solved a design issue further down the line. Working alongside the craftsman allowed me to be fully immersed in the project in the same way that I would if I was creating.
It wasn’t only the working on the objects, it was meeting his wife and having a cup of tea. Looking at his model engines he’d made and talking about family, careers, connections. Before I left I wanted to ask how much it would cost. He wouldn’t let me pay, saying he only took the job on because it was a challenge to him. He likes to try things that will test his skills. He did give me a job to do in exchange, that will utilise my own skills of research and making, although I will keep this private. I am looking forward to working with him again. We had such a good experience.